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Noodle Vendor

Xinjiang, China

Apsaras of Angkor Wat

Siem Reap, Cambodia

Camel

Song Kul Lake, Kyrgyzstan

Lake Weed Farmers

Inle Lake, Myanmar

Yurt in Blizzard

Jeti Oguz, Kyrgyzstan

Dressmakers

Ashgabat, Turkmenistan

Archeology Site

Merv, Turkmenistan

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Ancient Volcano Crater

Kauai, Hawai'i

Prayer Flags

Mt. Kailash, Tibet

Mt. Everest

Tibet

Stick Insect

Sarawak, Borneo

Wild Horses

Gozli Ata Canyons, Turkmenistan

Pearl Farm

Ahe, French Polynesia

Shoe Vendor

Khiva, Uzbekistan

Traditional Tibetan Dress

Darchen, Tibet

Shibuya Station

Tokyo, Japan

Kazakh Woman

Aksu-Zhabagly, Kazakhstan

Hill of Crosses

Siauliai, Lithuania

Chef

Sichuan, China

Reef

Kauai, Hawai'i

Image Monday, October 12, 2009 from 2:30 PM to 4:00 PM
(Round-table w/ cartoneras)

Alexander Library, Fourth Floor, CAC

Monday, October 12, 2009 from 7:00 PM to 9:00 PM
(Film screening: Cartoneros, discussion to follow)

Graduate Student Lounge, CAC

Tuesday, October 13, 2009 from 12:30 PM to 2:00 PM
(Literary Reading w/ Washington Cucurto and Aldo Medinaceli Lopez)

Center for Latin American Studies, 106 Nichol Ave., DC

 Tuesday, October 13, 2009 from 3:00 PM to 5:00 PM (Book Making Workshop)
Mason Gross, 33 Livingston Ave., Room 202

A series of workshops, exhibits, panel discussions, classroom visits and films. The cartonera publishing phenomenon began in Buenos Aires in 2003, and has inspired similar collectives in seven other countries such as Peru, Brazil and Paraguay. In 2001, a severe financial crisis left Argentina in distress, and put millions out of work. Between 25,000 to 30,000 unemployed, displaced workers started combing the city every night picking out paper, cardboard, metal and glass in order to support their families. As one of the social, political, and cultural implications of this phenomenon, a group of artists and writers came up with a progressive new publishing model that challenges and contests the neo-liberal political and economic hegemony. They purchase cardboard from the cartoneros who collect cardboard in the street, and convert it into bookbinding for short literary pieces whose authors and agents have donated their rights to the texts.  Each book is decorated with tempera paint and stencils, creating a one-of-a-kind literary and art object.  These books are sold at moderate prices to the public, but also make their way into main-stream venues such as art museum shops.

For more information, please visit http://clas.rutgers.edu

Sponsored by:
* Center for Latin American Studies
* Center for Latino Arts and Culture
* Department of Spanish and Portuguese
* Global Initiatives
* Brodsky Center for Innovative Editions
* Seminar on "The History of the Book"
* Rutgers Libraries
* School of Communication and Information

Contact Us

77 Hamilton Street


77 Hamilton Street
New Brunswick, NJ 08901


P   848-932-7896
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